All Souls' Day
The fragrant mignonettes put on the table,
And bring in the last red asters,
Then let us speak of love again
Like once in May.
Furtively give me your hand to squeeze
And if anyone sees us, I don't mind at all.
Just give me one of your sweet glances,
Like once in May.
Today every grave blooms and shines.
Yes, one day a year the dead are freed.
So come, my heart, and be again my own
Like once in May.
Mignonettes and asters are funeral flowers, and All Soul's Day is a day of mourning and prayer for the souls of the dead. It seems that Woolf connect a woman she had seen on the street with the poem, as the connections between the two warrant more than coincidence. The people were in love in May, and the woman says to Peter, "give me your hand so that I may press it gently and if someone should see, what matter they?," an almost direct quotation (though she probably would have seen a different translation.) Woolf must have been familiar with Strauss' song (it was published in 1887, and written two years before that,) or the poem. Some people have taken it that the speaker of the poem is dead, and that the "table" is a headstone. This doesn't go along with Woolf's use of it, though, as the woman is alive, and is mourning. The notes speak of the return of the lover on All Soul's Day, so I think that the woman is the speaker of the poem. Woolf talks about the woman having sung for "infinite ages," and says that the woman will "still be there in ten million years." I think this means that there will always be love lost to death. This perhaps foreshadows Rezia's loss of Septimus. My opinion is that Woolf liked the poem, and worked it into her novel as the old woman.
This detail has always been perplexing to me--other than to say something not very interesting about Woolf including a full range of social classes and types of people in her panorama of London. The way she renders the woman's song in phonetic disconnected syllables has made me think of the fragmented messages in the sky written by the plane. I had seen the note about the Strauss song, but it isn't very helpful in figuring out how the song might signify on the larger story. This is an interesting and compelling approach--not so much that this meaning would be *conveyed* to Rezia but that, in the style of this novel (like the connections between Clarissa and Septimus), it's something the reader can perceive that the characters miss.
ReplyDeleteThere's also Clarissa, who all day has been reminiscing about lovers in June, in a far-distant past. And it's Peter who hears her singing, right? And he's reminiscing (less fondly, perhaps) about the same period.